Cirque de Soleil
The show, was great, the food was not that great. the communication was not clear in receiving the tickets but when I had misplaced the tickets, you managed to sort out duplicates for me on the night
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Corteo at Royal Albert Hall from a private box, champagne and canapés included.
4.8
6 reviews
Clients praised the well-organised box experience, professional service, and spectacular Corteo



Clients praised the well-organised box experience, professional service, and spectacular Corteo



4.8
(6)

London
12°
Rain showers
Our best tips
London temperatures typically sit at 8–16°C, but the show is indoors. Rain is likely; pack a waterproof and layers for travel and any time outside. Check the forecast before you go.
No strict dress code. If you've booked a Loggia box for eight, smart dress is an option, not a requirement.
We recommend you arrive with ample time to spare to indulge in the delights of your VIP box. Once the performance begins, you won't have the chance to order drinks until the interval, so we suggest kicking off the evening in style!
Getting you on track

Completely hands-off from start to finish
Tell us what you're after and we'll plan the rest. All you have to do is show up.

Everything you need at your fingertips
Store all your event information, tickets, and contact details in one convenient place

Add personal touches to your trip
Make a request and our team will do everything they can to make it happen
Pick the experience, pick the tier, pick the day. Your account manager handles the rest.
F1, Wimbledon, Royal Ascot, the Six Nations, Glastonbury. If it sells out in minutes, we have people on the door.
Getting around
Central London venues are well served by the Tube network. Your ICE booking confirmation will include the nearest station and walking directions.
Black cabs and ride-hailing apps are available throughout central London. On event nights, consider being dropped a short walk from the venue to avoid traffic.
London's bus network covers all major entertainment districts. Night buses run after events finish, or the Tube runs late on Friday and Saturday nights.
What our guests say
Cirque de Soleil
The show, was great, the food was not that great. the communication was not clear in receiving the tickets but when I had misplaced the tickets, you managed to sort out duplicates for me on the night
First Class Experience
The event attended was Cirque de Soleil at the Royal Albert Hall. Brian, is great at finding events that suit me and this was no exception. He is always very helpful. This was an amazing first class experience. The food was excellent and there was a good choice of drinks. Great communication from the ICE team throughout the process.
Night out at the Albert Hall
We had not been to the Albert Hall before so we were unsure what to expect. The staff were very professional and the service in the box was very good. The attentiveness was just at the right level so as not to be intrusive. The performance of Corteo was spectacular and the acrobatics amazing. The drinks and food was very good and more than enough for 4 people.
Very well organised
Very well organised, good eye for detail and all went to plan.
Our box experience at The Albert
Our box experience at The Albert Hall for a Cirque du Soleil performance couldn’t have been faulted. All 12 of us agreed it was a brilliant experience the moment we entered into it. From our lovely butler to the position of the box in regard to the performance everything was there to make our evening special. The food was varied and delicious and our one vegetarian said the same about hers, the popcorn on our seats and the goody bag all added to us feeling more special than any other spectators. I hope my box for the Eric Clapton concert brings as much pleasure.
Had a great time
Had a great time. Whole thing was well organised.
What began as a troupe of twenty street performers in a small Quebec town has become the most successful live entertainment company on the planet. Cirque du Soleil, founded in 1984 by Guy Laliberté and Gilles Ste-Croix, reimagined the circus entirely: no animals, no ringmaster, just human physicality pushed to its absolute limit, wrapped in original music and theatrical storytelling. Over four decades, the company has performed for more than 200 million spectators across over 60 countries, proving that the most compelling spectacle is the human body in flight.

I remember being in Los Angeles in 1987, and we had no money to go back home. We had put everything on the table. If we didn't succeed, there was no coming back.

Cirque du Soleil completely changed the face of Las Vegas entertainment. Before them, it was all about the lounge act. They proved you could fill a theatre every night with something artistic.

A fire-breather with a government grant and a dream of sunlight; no animals, just humans under a blue-and-yellow big top.
Guy Laliberté, a former fire-breather and accordion player, co-founded Cirque du Soleil with Gilles Ste-Croix on 16 June 1984. The company grew out of Le Club des Talons Hauts, a street performance troupe based in Baie-Saint-Paul, Quebec. Their first production, 'Le Grand Tour', was staged as part of the 450th anniversary celebrations of Jacques Cartier's arrival in Canada, funded by a Quebec government grant. The name, meaning 'Circus of the Sun', was chosen by Laliberté because, as he later explained, the sun symbolised youth, energy, and radiant force. From the start, there were no animals. Just humans, music, and a blue-and-yellow big top.

They flew to Los Angeles on a one-way gamble; the return fare had to be earned on stage.
Laliberté took the company's biggest risk yet: he booked Cirque du Soleil to perform at the Los Angeles Arts Festival with 'Le Cirque Réinventé', but could only afford one-way tickets. If the show flopped, there was no money to get the troupe home. It didn't flop. The show was a sensation, earning rave reviews and launching the company into the American market.

Saltimbanco drew over 14 million spectators as Cirque evolved from Canadian touring company to global force, anchored by a Montreal creative campus built on reclaimed land.
The 1990s marked Cirque du Soleil's transformation from a Canadian touring company into a global phenomenon. 'Nouvelle Expérience' (1990) toured North America, Europe, and Japan, while 'Saltimbanco' (1992) became one of the company's most enduring shows, eventually seen by over 14 million people. The company established its international headquarters in Montreal, a sprawling creative campus in the Saint-Michel district built on a former landfill site.

Thirty years on the Las Vegas stage; not bad for a show that replaced showgirls with acrobats.
Cirque du Soleil's first permanent resident show, 'Mystère', opened at Treasure Island in Las Vegas on 25 December 1993. It was a radical departure for a city built on lounge acts and showgirls. Steve Wynn, the casino mogul, had personally courted Laliberté, and the gamble paid off handsomely. 'Mystère' ran for over 30 years, finally closing in 2024, and it fundamentally changed what Las Vegas entertainment could be.

A $92 million production staged inside a 5.7-million-litre pool; Las Vegas had never seen anything like it, and still hasn't.
'O', a show performed in, on, and above a 5.7-million-litre pool of water, opened at the Bellagio on 19 October 1998. The production cost an estimated $92 million to create. It became arguably the most acclaimed live show in Las Vegas history, blending synchronised swimming, diving, and aerial acrobatics into something closer to a waking dream than a circus performance. It continues to run today.

London proved one of Cirque's most devoted European audiences, welcoming the big top from Battersea to the Royal Albert Hall.
London had seen touring Cirque productions before, but the company's relationship with the capital deepened through the 2000s. Shows including 'Alegría', 'Dralion', and 'Varekai' played under the big top at venues across the city, from Battersea to the Royal Albert Hall. The UK became one of Cirque's strongest European markets, with London audiences proving particularly receptive to the company's blend of athleticism and theatrical storytelling.

Twenty simultaneous shows touring the globe, and the founder still walked away for $1.5 billion.
In April 2015, Guy Laliberté sold his remaining 90% stake in Cirque du Soleil to a consortium led by American private equity firm TPG Capital, alongside Chinese investment group Fosun Industrial and Quebec's Caisse de dépôt et placement. The deal valued the company at approximately $1.5 billion. Laliberté retained a creative role but the era of founder-led Cirque was over. At the time of the sale, the company was running some 20 shows simultaneously worldwide.

Three-quarters of the workforce gone overnight; the greatest show on earth had no stage left to stand on.
COVID-19 shut down every Cirque du Soleil show on the planet simultaneously. In June 2020, the company filed for creditor protection under the Companies' Creditors Arrangement Act, laying off approximately 3,480 of its 4,679 employees. It was the darkest chapter in the company's history. By November 2020, Catalyst Capital Group acquired the company, and the slow process of rebuilding began.

Employing over 4,000 people worldwide, Cirque du Soleil has rebuilt from near-extinction to tour globally and restore its Las Vegas residencies.
Cirque du Soleil celebrated its 40th anniversary in 2024 with multiple shows touring globally and its Las Vegas residencies restored. The company continues to bring productions to London, with shows at the Royal Albert Hall and under the big top at various locations across the capital. Having survived near-extinction during the pandemic, Cirque emerged leaner but with its creative ambition intact, still employing over 4,000 people and performing to millions each year.